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About

I write about books, cities and the hour after everyone else has gone to bed. This is where it all ends up.

Mara Lin, the writer, in a black turtleneck against a pale wall
  • Years writing6
  • Sunday letters48
  • Readers12,400

About

I write about books, cities and the hour after everyone else has gone to bed. This is where it all ends up.

Mara Lin, the writer, in a black turtleneck against a pale wall
  • Years writing6
  • Sunday letters48
  • Readers12,400

About

I write about books, cities and the hour after everyone else has gone to bed. This is where it all ends up.

Mara Lin, the writer, in a black turtleneck against a pale wall
  • Years writing6
  • Sunday letters48
  • Readers12,400

The long story

I grew up in a flat above a in Porto, where the light came in sideways and stayed. I started writing at a before anyone was awake, then on long , then in a rented room in with a desk that faced a wall. Afterword began as to eleven friends. It is still that, only longer, and it travels further now: , into , and back to every Sunday.

Point at, focus or tap the underlined words

The years

How a letter to eleven friends became a journal people wait for.

  1. 2019The first essayEight hundred words about a kitchen window, read by eleven people.
  2. 2020The newsletter startsOne letter every Sunday. It has not missed one since.
  3. 2022LisbonA rented room, a desk facing a wall, and the year the essays got longer.
  4. 2024Issue 30The letters cross a thousand inboxes and readers start writing back.
  5. 202612,400 readersStill one letter, still Sunday, still written before the city wakes.
A bright desk by the window: an open notebook, a laptop and a cup of coffee
The desk this morning

Now

  • WritingA long essay about leaving Lisbon, one page a morning.
  • ReadingThe Writing Life by Annie Dillard, for the third time.
  • WalkingThe coast path from Porto to Vila do Conde, in pieces.
  • LearningPortuguese past tenses, badly and with patience.
  • Not doingSocial media. The letters are where I answer.

Updated October 2026 · Lisbon

The long story

I grew up in a flat above a in Porto, where the light came in sideways and stayed. I started writing at a before anyone was awake, then on long , then in a rented room in with a desk that faced a wall. Afterword began as to eleven friends. It is still that, only longer, and it travels further now: , into , and back to every Sunday.

Point at, focus or tap the underlined words

The years

How a letter to eleven friends became a journal people wait for.

  1. 2019The first essayEight hundred words about a kitchen window, read by eleven people.
  2. 2020The newsletter startsOne letter every Sunday. It has not missed one since.
  3. 2022LisbonA rented room, a desk facing a wall, and the year the essays got longer.
  4. 2024Issue 30The letters cross a thousand inboxes and readers start writing back.
  5. 202612,400 readersStill one letter, still Sunday, still written before the city wakes.
A bright desk by the window: an open notebook, a laptop and a cup of coffee
The desk this morning

Now

  • WritingA long essay about leaving Lisbon, one page a morning.
  • ReadingThe Writing Life by Annie Dillard, for the third time.
  • WalkingThe coast path from Porto to Vila do Conde, in pieces.
  • LearningPortuguese past tenses, badly and with patience.
  • Not doingSocial media. The letters are where I answer.

Updated October 2026 · Lisbon

The long story

I grew up in a flat above a in Porto, where the light came in sideways and stayed. I started writing at a before anyone was awake, then on long , then in a rented room in with a desk that faced a wall. Afterword began as to eleven friends. It is still that, only longer, and it travels further now: , into , and back to every Sunday.

Point at, focus or tap the underlined words

The years

How a letter to eleven friends became a journal people wait for.

  1. 2019The first essayEight hundred words about a kitchen window, read by eleven people.
  2. 2020The newsletter startsOne letter every Sunday. It has not missed one since.
  3. 2022LisbonA rented room, a desk facing a wall, and the year the essays got longer.
  4. 2024Issue 30The letters cross a thousand inboxes and readers start writing back.
  5. 202612,400 readersStill one letter, still Sunday, still written before the city wakes.
A bright desk by the window: an open notebook, a laptop and a cup of coffee
The desk this morning

Now

  • WritingA long essay about leaving Lisbon, one page a morning.
  • ReadingThe Writing Life by Annie Dillard, for the third time.
  • WalkingThe coast path from Porto to Vila do Conde, in pieces.
  • LearningPortuguese past tenses, badly and with patience.
  • Not doingSocial media. The letters are where I answer.

Updated October 2026 · Lisbon

The nightstand

The books on my nightstand this season. Some I'm halfway through, some I finished twice, one is waiting for a long weekend.

The nightstand

The books on my nightstand this season. Some I'm halfway through, some I finished twice, one is waiting for a long weekend.

The nightstand

The books on my nightstand this season. Some I'm halfway through, some I finished twice, one is waiting for a long weekend.

Field notes

Photographs from the places the essays were written: a street at dusk, a cliff, a cabin above the clouds.

01Alfama, Lisbon · 2024I followed the light downhill and found the first line.
02Cornwall · 2023Someone had carried an armchair to the edge of the world.
03The Dolomites · 2025Above the weather, the sentences got shorter.
04Matera · 2025A city of stone that holds the day's heat until midnight.
05Vejer, Andalusia · 2022A white door, an old olive, an afternoon with no clock.
06Achill Island · 2024Where the essay on leaving was finally finished.
07Glen Etive · 2023Twelve miles of rain and one good idea.
08Porto · 2025The shop stayed open late, so I did too.

Field notes

Photographs from the places the essays were written: a street at dusk, a cliff, a cabin above the clouds.

01Alfama, Lisbon · 2024I followed the light downhill and found the first line.
02Cornwall · 2023Someone had carried an armchair to the edge of the world.
03The Dolomites · 2025Above the weather, the sentences got shorter.
04Matera · 2025A city of stone that holds the day's heat until midnight.
05Vejer, Andalusia · 2022A white door, an old olive, an afternoon with no clock.
06Achill Island · 2024Where the essay on leaving was finally finished.
07Glen Etive · 2023Twelve miles of rain and one good idea.
08Porto · 2025The shop stayed open late, so I did too.

Field notes

Photographs from the places the essays were written: a street at dusk, a cliff, a cabin above the clouds.

01Alfama, Lisbon · 2024I followed the light downhill and found the first line.
02Cornwall · 2023Someone had carried an armchair to the edge of the world.
03The Dolomites · 2025Above the weather, the sentences got shorter.
04Matera · 2025A city of stone that holds the day's heat until midnight.
05Vejer, Andalusia · 2022A white door, an old olive, an afternoon with no clock.
06Achill Island · 2024Where the essay on leaving was finally finished.
07Glen Etive · 2023Twelve miles of rain and one good idea.
08Porto · 2025The shop stayed open late, so I did too.
A window at night, lit from inside by a single lamp

The Sunday letter

One letter a week: a short essay, the notes from the week and what I am reading. Written slowly, sent at eight.

Free · one e-mail a week · unsubscribe any time

Afterword

Essays, notes and a Sunday letter on books, cities and the quiet work of paying attention.

A window at night, lit from inside by a single lamp

The Sunday letter

One letter a week: a short essay, the notes from the week and what I am reading. Written slowly, sent at eight.

Free · one e-mail a week · unsubscribe any time

Afterword

Essays, notes and a Sunday letter on books, cities and the quiet work of paying attention.

A window at night, lit from inside by a single lamp

The Sunday letter

One letter a week: a short essay, the notes from the week and what I am reading. Written slowly, sent at eight.

Free · one e-mail a week · unsubscribe any time

Afterword

Essays, notes and a Sunday letter on books, cities and the quiet work of paying attention.

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